Review by Stuart Mayne
I am a fan of Pamela Freeman. The Castings trilogy is a fine series that strays away from the formulaic fantasy trilogy, with a deftness and lightness of touch that had me scrabbling for each as they came out. Now we can once again enjoy the mysteries of the Eleven Domains.
Ember watches helplessly as her future and happiness vanish in a scorching burst of flames with the murder of her husband. Determined to bring revenge upon the perpetrators she enlists the help of Ash, the son of a seer, and together they pit themselves against the terrible elements in a last desperate bid to end the conflict once and for all.
Ember and Ash continues Freeman’s journey as a writer of something different in the fantasy genre. Through the pain and suffering of her characters we touch on the human; the singular pain of the individual. She makes fantasy understandable to me. She writes with a light touch. Her novels feel like a watercolour compared to the usual impasto style. While more baroque than the Castings trilogy, Ember and Ash is a deftly portrayed study of evil and vengence.
This review first appeared in the Aurealis Magazine subscriber newsletter.